Khajuraho Erotic Temples:
Khajuraho hindu temple erotic kama sutra sculpture, India
India is dotted with many glorious temples, but erotica on the walls of some arouses curiosity and even puzzles tourists. There are various theories about the reason for such vivid depiction of erotica--mass sex education, warding off natural calamities and the devdasi system. Due to the presence of 64 Yogini temples near Khajuraho, Padawali, Konarak/Lingaraj etc., scholars also attribute the erotic art to Tantric practices, which revolve around the ultimate union of the male and the female energy and forms referred to as Maithuna.
Whatever the reason be, the brazenness or ethereal beauty of temple erotica will never cease to amaze us.Built by the Chandela Kings who were greatly influenced by Tantric traditions, this temple is said to represent the ultimate seductress.
Khajuraho, the ancient Kharjjura-vahaka represent today a distinct pattern of art and temple architecture of its own reminding one of the rich and creative period it witnessed during the Chandella rule. It was the principal seat of authority of the Chandella rulers who adorned it with numerous tanks, scores of lofty temples of sculptural grace and architectural splendour. The local tradition lists eighty-five temples but now only twenty-five are standing examples in various stages of preservation. But for Chausath-Yogini, Brahma and Mahadeva which are of granite, all the other temples are of fine grained sandstone, buff, pink or pale yellow in colour.
Yasovarman (AD 954) built the temple of Vishnu, now famous as Lakshmana temple is an ornate and evolved example of its time proclaiming the prestige of the Chandellas.
The Visvanatha, Parsvanatha and Vaidyanatha temples belong to the time of king Dhanga, the successor of Yasovarman. The Jagadambi, Chitragupta, are noteworthy among the western group of royal temples of Khajuraho. The largest and grandest temple of Khajuraho is the immortal Kandariya Mahadeva which is attributed to king Ganda (AD 1017-29). The other examples that followed viz., Vamana, Adinatha, Javari, Chaturbhuj and Duladeo, are smaller but elaborately designed. The Khajuraho groups of temples are noted for lofty terraces (jagati) and functionally effective plans comprising of an ardhamandapa, acting as entrance generally adorned with makara torana and kakshasana, the mandapa, as the hall with antarala leading to garbha griha or sanctum. The larger temples have mahamandapas in front of the ardhamandapa.
They also have minor shrines at four corners and thus categorized as pancayatana. The exterior of the temples are richly decorated. In contrast, Javari and Brahma temples are simpler creations.
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